Bands You Should Be Listening To: Streetlight Manifesto

Streetlight Manifesto is a seven-piece third-wave ska band from New Jersey that deserves more credit and recognition than they receive. Largely a product of the genius of lead singer and guitarist, Tomas Kalnoky, the band's songs are exceptionally well-written. Kalnoky initially writes the songs using an acoustic guitar. The band later takes this blueprint and fine-tunes it, cleverly combining guitar riffs typical of ska acts with intricate horn breakdowns. In short, these guys are brilliant musicians. Any band that can incorporate a horn section rendition of Johannes Brahms' "Hungarian Dance No. 5" into one of their songs ("If and When We Rise Again") deserves all kinds of praise.

Just last year, the band released an album of cover songs, titled 99 Songs of Revolution. Covers of songs like "Such Great Heights" by The Postal Service and "Just" by Radiohead showcase Streetlight's ability to rework songs into a masterpiece all their own. It's been over three years since the band released any original material, but Kalnoky recently revealed that they had been in the studio recording a new album. The album will be released this year, though a date has not been set. To say that I'm excited would be an understatement.

"If and When We Rise Again"

"Kingdoms will rise and fall and we'll be the same as before"

Let me just preface this article by telling you what I went through to review this album. I pre-ordered Pedals by Rival Schools on the 4th of March, four days before it was set to be released, and didn't receive it until the 25th of March. Not to mention it took three emails before I got any sort of response from the record label pertaining to my order, but I'll tell you what, I'd wait that long all over again.

After nearly a decade, Rival Schools finally released a follow up to 2001's United by Fate with Pedals. Instead of trying to rehash or imitate what they sounded like ten years ago, Rival Schools brings to the table an album that keeps the band's signature post hardcore/indie/alt rock sound but with enough tweaks to show that the members of this band have grown since their debut. In comparison to United by Fate, the approach Rival Schools takes on Pedals isn't as energetic, but it's alot more melodic and this works for them. Pedals sounds far more focused and confident than before, which is evidenced in songs like "Shot After Shot," in which the guitar riffs sound like something Queens of the Stone Age's Josh Homme would have written. Tracks like "Choose Your Own Adventure," which uses both synths and organs to create what I feel is one of the best tracks on the album, and "69 Guns," which sounds like what would happen if The Clash were a dance punk band, show the bands willingness to experiment with their sound.

Walter Schreifels's lyrics are well written and are more focused than they were on United by Fate. Schreifel's lyrics vary from first to third person, but always feel as if you're getting a peek into his personal life. You can see this in "Wring it Out" alone, with lyrics like, "You told me long ago to leave fate to itself, but I'm gonna need help/ The coast is clearly not on my side now, if it ever was" and "I have battles in my life to keep me distracted, or just a lame excuse for acting how I acted/ Pushing you away, it was too high a price to pay, I can see that now for miles and miles."

I, for one, hope that this isn't just some one-shot album Rival Schools did just to see if they still had it and they continue to release new material. We can only wait and see, but one thing's for sure, there's no way I can wait another 10 years for another album.

Verdict: 4/5 Small Doses
Sounds like: A summer soundtrack
Favorite tracks: "Wring it Out," "Choose Your Own Adventure," "Shot After Shot," "A Parts for B Actors"

"We are the orphans of the American dream"

Rise Against's 2008 album Appeal to Reason met with disappointment from fans and critics alike. The band was accused of straying from their hardcore punk roots to venture into the mainstream. With the obvious pop sensibilities, slower songs, and catchy hooks, they seemed to be losing touch. Now the band is back with the release of Endgame, which I was more than a little bit skeptical about. Instead of reverting back to the musical style heard on their pre-Appeal to Reason albums, the band polished that new sound, making it harder and more in-your-face. The result is an impressive, energetic album full of politically charged anthems that are surprisingly easy to relate to.

Rise Against's musical growth from album to album is blatantly apparent, and their most recent effort is no exception. Though the band has let go of the raw sound of old, their music is still essentially hardcore punk. Songs like "Midnight Hands," "Survivor Guilt," and "A Gentleman's Coup" feature guitar riffs and drums that stand out from the rest of the album and show what the band is truly capable of. The vocals on the album are exactly as expected -- gravelly singing with a few screams thrown in -- and the songs are rife with poignant lyrics. One thing I've always admired about Tim McIlrath's storytelling is his ability to place himself in the situation. Many of the lyrics are written from a first-person perspective, which is particularly powerful on "Make It Stop (September's Children)," a song that was written in response to the suicides of teens bullied for being gay. In it, McIlrath sings, "I'm done asking, I demand / From a nation under God / I feel its love like a cattle prod / I'm born free but still they hate me / I'm born me, no, I can't change." No matter what topic is covered in a given song, the message is always relevant.

Overall, Endgame is a solid album that serves as a reminder of what makes Rise Against special in a sea of fading hardcore punk acts. If you were disappointed by Appeal to Reason, this will certainly renew your love for the band.

Verdict: 4/5
Sounds like: One big call to arms
Favorite tracks: "Midnight Hands," "Make It Stop (September's Children)," "Satellite"

Jersey Spotlight: Folly

(via: An Objective Perspective)

I stumbled upon Folly around the time my interest in hardcore music was dwindling and Purevolume was still a popular and reliable source for finding new music. What I heard blew me away. Never has a band been able to combine hardcore with ska as seamlessly as these New Jersey natives, though many have tried. John Tummillo changes his vocal style at the drop of a hat, going from hardcore screams to the almost-singing typical of ska vocalists. Their stage presence is insane and fans take hardcore dancing to a whole new level at their shows, doing everything from backflips to cartwheels in the pit.

With two full-length albums, two EPs, and a series of tours that took them across the US with bands like The Human Abstract and The Dillinger Escape Plan, the band seemed to be gaining popularity. Unfortunately, a break-up was announced in February of 2008 and they played three farewell shows, all of which sold out.

Naturally, it came as a huge surprise when Folly announced three upcoming reunion shows:

March 26 @ Maxwell's in Hoboken, NJ
April 2 @ School of Rock East in South Hackensack, NJ
April 9 @ Stanhope House in Stanhope, NJ

What does this mean for one of the best hardcore bands to ever come out of Jersey? We'll just have to wait and see. Hopefully more of this:



...and this:

Death From Above 1979 Reunion!

Recently, we at Rock 'n' Roll Etiquette mentioned Death From Above 1979 in relation to a remix by MSTRKRFT. Well, boys and girls, if you're as much of a fan as I am, you'll be happy to know that DFA1979 announced they will be reuniting to perform at Coachella this year (this blog has magic powers!). Hopefully, this won't be a one shot performance and they'll see that they were silly for going their separate ways almost 5 years ago. Here's hoping for a new album and subsequent tour.

If you're not sure if you should be amped, watch this:

Yes, you should be amped.

This is the Remix

Up until now, we've featured a lot of punk and hardcore music on this blog, so I thought, "Why not break up the monotony a little?" I'm a sucker for a good remix. They're a great way for an artist to express their take on a song without going so far as to cover it, but instead by rearranging or adding to the music. And just like covers, they can be hit or miss. Whether the remix adds bass-heavy trance or electronica beats to a mellow song or tones down a fast song, it has to flow well to be pleasing to the ear. Here are a few favorites that I've come across over the years.

1. "Electric Feel" by MGMT (remixed by Justice)

This song by MGMT is great on its own, but add the bold sounds of French duo Justice and it becomes even better. This is one of those rare cases where I like the remix more than the original song. Everything about it is just perfect, from the intro to the bass line. Justice even won a Grammy for this particular remix in 2009.

2. "mcchrisownz" by mc chris (Paper Planes remix)

Brilliant. The two songs go together so well that it just feels natural. The best part? mc chris has been known to perform this song live, which is a real treat.

3. "Love In This Club" by Usher (remixed by MSTRKRFT)

I know what you're probably thinking, but bear with me. MSTRKRFT, a group that was started by one-half of the now defunct Death From Above 1979, has produced some of the best remixes I've ever heard, plenty of them of songs by mainstream artists. I also highly recommend checking out their remix of "Got Love to Kill" by Juliette and the Licks.

4. "Every You Every Me" by Placebo (remixed by Sneaker Pimps)

Nothing can ever beat the original track. However, this remix adds a bit of a dark twist to a song that's already loaded with emotion.

5. "Alligator" by Tegan and Sara (remixed by Passion Pit)

If you've ever listened to Passion Pit then you know that their music is a unique blend of electronica, indie, and synthpop. Take their signature sound and add it to "Alligator," which is a simple but amazing song on its own, and this is what you get.

Best Albums of 2010

We originally set out to compile a list of the top ten albums of 2010. Perfect, right? Well, what we have here is the top eight, plus three honorable mentions. All in all, this year saw the release of some real gems in the music industry.

1. The Dissent of Man by Bad Religion

"If you listen to Bad Religion, you know what you're getting: quality punk music. The band seems to take a different approach musically with this album and it works. Dissent of Man is just as good as anything the band has released previously." - Joe

"Once again, Bad Religion altered their sound slightly, but this time they delivered an amazing punk record full of political undertones. It's no Against the Grain, but damn do these guys know how to make good music." - Jenn

2. Omni by Minus the Bear

"Minus the Bear crafted an amazingly well thought out album that just oozes sexiness. There's just no other way to describe it." - Joe

3. Surfing the Void by Klaxons

"People always talk about how great MGMT is, but they can't hold a candle to Klaxons and this album furthers that opinion. With catchy hooks, incredible music, and awesome vocals like this, I look forward to hearing whatever this band comes up with next." - Joe

"This album took me by surprise because I was just expecting more of the same from this band, but it was a pleasant departure from the sound of their previous album. While you can't expect to hear anything like "Atlantis to Interzone" on Surfing the Void, the music still has a sort of other-worldly, futuristic feel. The vocals on this album are especially amazing." - Jenn

4. Songs for Singles by Torche

"Following 2008's Meanderthal, Songs For Singles takes what Torche previously did and keeps it going. Simply put, Torche is amazing. 'Nuff said." - Joe

"I must say, I wasn't too fond of this band prior to listening to Songs for Singles. I couldn't get past the vocals even though the music was always amazing. This EP changed that. Listen to “Hideaway” and I promise you will not be disappointed." - Jenn

5. American Slang by The Gaslight Anthem

"I love this album more and more with every listen. Not only is the music itself fantastic, but every single song has so much raw emotion behind it. This is the album of the year for me, hands down." - Jenn

6. Ironiclast by The Damned Things

"When hearing who played in The Damned Things my initial reaction was, "WTF!?!" After listening to their debut album, my reaction was much of the same, not because Ironiclast is bad but because it's so good considering how eclectic its members backgrounds are." - Joe

"Imagine my reaction upon reading that members of Fall Out Boy, Every Time I Die, and Anthrax had formed a band together. Now imagine my reaction when I listened to this album and it was actually good. Great, even." - Jenn

7. Danger Days: The True Lives of the Fabulous Killjoys by My Chemical Romance

"After reading that the new album was going to be a return to their roots, I was really hyped for this album. Then NaNaNa came out and I was incredibly disappointed. I really wanted to not like this album because I hate when bands say that they're going back to their roots and don't deliver, but this album is just too solid of an album to not like." - Joe

"This is such a fun album. I can't get enough of the catchy lyrics, the music, and the entire concept behind it. I never thought I'd have MCR in heavy rotation again, but it happened." - Jenn

Honorable mentions:
American Ghetto by Portugal. The Man
Sea of Cowards by The Dead Weather
Brothers by The Black Keys