Wednesday, March 30, 2011

"Kingdoms will rise and fall and we'll be the same as before"

Let me just preface this article by telling you what I went through to review this album. I pre-ordered Pedals by Rival Schools on the 4th of March, four days before it was set to be released, and didn't receive it until the 25th of March. Not to mention it took three emails before I got any sort of response from the record label pertaining to my order, but I'll tell you what, I'd wait that long all over again.

Cover (Pedals:Rival Schools)After nearly a decade, Rival Schools finally released a follow up to 2001's United by Fate with Pedals. Instead of trying to rehash or imitate what they sounded like ten years ago, Rival Schools brings to the table an album that keeps the band's signature post hardcore/indie/alt rock sound but with enough tweaks to show that the members of this band have grown since their debut. In comparison to United by Fate, the approach Rival Schools takes on Pedals isn't as energetic, but it's alot more melodic and this works for them. Pedals sounds far more focused and confident than before, which is evidenced in songs like "Shot After Shot," in which the guitar riffs sound like something Queens of the Stone Age's Josh Homme would have written. Tracks like "Choose Your Own Adventure," which uses both synths and organs to create what I feel is one of the best tracks on the album, and "69 Guns," which sounds like what would happen if The Clash were a dance punk band, show the bands willingness to experiment with their sound.

Walter Schreifels's lyrics are well written and are more focused than they were on United by Fate. Schreifel's lyrics vary from first to third person, but always feel as if you're getting a peek into his personal life. You can see this in "Wring it Out" alone, with lyrics like, "You told me long ago to leave fate to itself, but I'm gonna need help/ The coast is clearly not on my side now, if it ever was" and "I have battles in my life to keep me distracted, or just a lame excuse for acting how I acted/ Pushing you away, it was too high a price to pay, I can see that now for miles and miles."

I, for one, hope that this isn't just some one-shot album Rival Schools did just to see if they still had it and they continue to release new material. We can only wait and see, but one thing's for sure, there's no way I can wait another 10 years for another album.

Verdict: 4/5 Small Doses
Sounds like: A summer soundtrack
Favorite tracks: "Wring it Out," "Choose Your Own Adventure," "Shot After Shot," "A Parts for B Actors"

Thursday, March 24, 2011

"We are the orphans of the American dream"

Rise Against's 2008 album Appeal to Reason met with disappointment from fans and critics alike. The band was accused of straying from their hardcore punk roots to venture into the mainstream. With the obvious pop sensibilities, slower songs, and catchy hooks, they seemed to be losing touch. Now the band is back with the release of Endgame, which I was more than a little bit skeptical about. Instead of reverting back to the musical style heard on their pre-Appeal to Reason albums, the band polished that new sound, making it harder and more in-your-face. The result is an impressive, energetic album full of politically charged anthems that are surprisingly easy to relate to.

Rise Against's musical growth from album to album is blatantly apparent, and their most recent effort is no exception. Though the band has let go of the raw sound of old, their music is still essentially hardcore punk. Songs like "Midnight Hands," "Survivor Guilt," and "A Gentleman's Coup" feature guitar riffs and drums that stand out from the rest of the album and show what the band is truly capable of. The vocals on the album are exactly as expected -- gravelly singing with a few screams thrown in -- and the songs are rife with poignant lyrics. One thing I've always admired about Tim McIlrath's storytelling is his ability to place himself in the situation. Many of the lyrics are written from a first-person perspective, which is particularly powerful on "Make It Stop (September's Children)," a song that was written in response to the suicides of teens bullied for being gay. In it, McIlrath sings, "I'm done asking, I demand / From a nation under God / I feel its love like a cattle prod / I'm born free but still they hate me / I'm born me, no, I can't change." No matter what topic is covered in a given song, the message is always relevant.

Overall, Endgame is a solid album that serves as a reminder of what makes Rise Against special in a sea of fading hardcore punk acts. If you were disappointed by Appeal to Reason, this will certainly renew your love for the band.

Verdict: 4/5
Sounds like: One big call to arms
Favorite tracks: "Midnight Hands," "Make It Stop (September's Children)," "Satellite"